{"id":2009,"date":"2017-10-11T07:25:17","date_gmt":"2017-10-11T07:25:17","guid":{"rendered":"http:\/\/existentia.com.hr\/?p=2009"},"modified":"2017-10-11T10:02:42","modified_gmt":"2017-10-11T10:02:42","slug":"kreativnost-i-smisao","status":"publish","type":"post","link":"https:\/\/existentia.com.hr\/hr\/kreativnost-i-smisao\/","title":{"rendered":"Kreativnost i smisao"},"content":{"rendered":"

Kada ste zadnji put radili ne\u0161to kreativno? Za\u0161to je bitno da u \u017eivotu postoji mjesto za kreativnost i kako je ona povezana sa smislom, pro\u010ditajte u \u010dlanku.<\/p>\n

________________________________________________________________<\/p>\n

\u201cStvoriti ne\u0161to novo, ne\u0161to \u0161to odi\u0161e novo\u0161\u0107u, ljepotom i skladom, jak je protulijek osje\u0107aju besmisla.”<\/em><\/p>\n

Irvin Yalom
\n<\/em><\/p>\n

\"kreativnost<\/a>
Sumopiggy@ deviantart<\/figcaption><\/figure>\n

Ne mogu re\u0107i da mi je najjasnije za\u0161to je kreativnost povezana sa smislom. No \u010dini se da je kreativniji \u017eivot doista i smisleniji \u017eivot.<\/p>\n

Irvin Yalom, egzistencijalisti\u010dki terapeut, vjeruje da su jedan od najva\u017enijih segmenata za koji treba upitati klijenta kad s njim po\u010dinje raditi na osje\u0107aju besmisla – njegova kreativna nastojanja. On tada detaljno preispita povijest klijentovih nastojanja da se kreativno izrazi.<\/p>\n

Dakle, \u0161to je to s kreativno\u0161\u0107u i bivanjem kreativnim \u0161to donosi osje\u0107aj smislenosti na\u0161im \u017eivotima i kako jedno uzrokuje drugo?<\/p>\n

1.Kreativnost je ne\u0161to za \u0161to smo ro\u0111eni<\/strong><\/p>\n

To je jedinstven ljudski poriv. Konstantno vidimo malu djecu u nastojanju da budu kreativna; s papirom, bojama, vodom, \u0161karama, blatom. Poriv da stvaramo umjetni\u010dka djela, imaginarne pri\u010de i igre je nemogu\u0107e potisnuti.<\/p>\n

2. \u010ciniti ne\u0161to samo kako bismo to \u010dinili<\/strong><\/p>\n

Ve\u0107inu budnog \u017eivota odgovaramo i reagiramo na zahtjeve okoline, i one posredne i neposredne. Zvonjavu telefona, dje\u010dje urlikanje, klju\u010danje vode s tjesteninom na \u0161tednjaku, neminovni rok za izvje\u0161taj koji moramo predati na poslu, sastanak na koji moramo sti\u0107i. Ska\u010demo sa zadatka na zadatak, kri\u017eaju\u0107i stvari s popisa koji kao da nikad ne zavr\u0161ava. No kada uzimamo vrijeme za kreativnost, na neki na\u010din izlazimo iz svega toga.<\/p>\n

3. Ostavljanje traga <\/strong><\/p>\n

Kad sam bila trudna sa prvom k\u0107eri provodila sam sate i sate \u0161ivaju\u0107i joj poplun. Vrijeme i novac (za materijale) koje sam ulo\u017eila u taj poplun nisu imali nikakvog logi\u010dkog smisla. No pronalazila sam ne\u0161to smisleno u izradi tog popluna. Nekako sam se od toga osje\u0107ala kao da se povezujem sa sljede\u0107om generacijom, ili \u010dak generacijom koju mo\u017eda nikada ne\u0107u upoznati. Postoji \u0161ansa da me taj poplun nad\u017eivi, i \u010dak ako nikad ne\u0107u poznavati svoje praunuke, postoji mala \u0161ansa da moj poplun ho\u0107e.<\/p>\n

4. Izra\u017eavanje
\n<\/strong><\/p>\n

Umjetnici svih vrsta govore o tome kako stvaranje umjetni\u010dkih djela mo\u017ee biti na\u010din da se izrazite kad jezik podbaci. Napokon, jezik je samo set rije\u010di, komuniciran kroz zvukove ili pisane simbole, koji predstavljaju razli\u010dite koncepte. Te su rije\u010di predefinirane i ograni\u010dene na onaj jezik u kojem komuniciramo. No kreativna djela su u potpunosti jedinstvena, ona se ne trebaju podvrgnuti nekim standardima, oko njih se ne treba slagati i ne mo\u017ee ih se “pogledati” u rje\u010dniku.<\/p>\n

Biti kreativan tako\u0111er mo\u017ee slu\u017eiti svrsi samo-izra\u017eavanja na na\u010din da kad ne\u0161to stvorimo, dajemo ne\u0161to od sebe u taj rad. Kao \u0161to je rekao Viktor Frankl, jedan na\u010din pronala\u017eenja smisla jest kroz stvaranje ili \u010dinjenje djela: davanje djela sebe svijetu.<\/a><\/p>\n

5. Oktrivanje samih sebe
\n<\/strong><\/p>\n

Kada smo kreativni na nas mogu utjecati na\u0161i podsvjesni dijelovi. Takva djela ili \u010dak samo \u010din njihovog stvaranja mogu osvijetliti dijelove nas koje prije nismo shva\u0107ali ili poznavali.<\/p>\n

6. Zabava<\/strong><\/p>\n

Biti kreativnan je zabavno. A nije li zabava tako i tako veliki dio smisla \u017eivota?<\/p>\n

7. Zadovoljstvo i ispunjenje<\/strong><\/p>\n

U mom poslu psihologa postignu\u0107a su \u010desto neopipljiva i apstraktna. Na mnogo napretka koji osje\u0107am, drugim rije\u010dima, napredak mojih klijenata, utje\u010du stvari koje su van moje kontrole. U nekom trenutku u mojih prvih par godina rada kupila sam \u0161iva\u0107u ma\u0161inu. Brzo sam spoznala da je izraditi ne\u0161to \u0161to se mo\u017ee vidjeti i opipati iznimno zadovoljavaju\u0107e.<\/p>\n

I to ne zna\u010di da kreativni mo\u017eemo biti samo izradom umjetni\u010dkih projekata. Mo\u017eemo biti kreativni u na\u0161em pristupu doslovno svemu \u0161to odaberemo raditi: vrtlarenju, kuhanju, podu\u010davanju, igranju s djecom, pjevanju, plesanju, sviranju instrumenta.<\/p>\n

I mnoge situacije na poslu nude mogu\u0107nosti za izra\u017eavanje kreativnosti, poput odr\u017eavanja prezentacije ili vo\u0111enja radionice, isku\u0161avanja prodaje novog kola\u010da da vidimo kako \u0107e se prodati ili rje\u0161avanja odre\u0111enog problema. Takve mogu\u0107nosti su potencijalno beskona\u010dne, ali nisu nu\u017eno odmah o\u010dite – mo\u017eda \u0107emo morati biti kreativni i u nastojanju da ih prona\u0111emo.<\/p>\n

Naravno da postoje i poslovi koji gu\u0161e kreativnost, i oni mogu biti izvor velikog nezadovoljstva. Zato\u010denost u takvom poslu mo\u017ee dovesti do frustracije, pa \u010dak i depresije. Treba dobro odvagnuti dobre i lo\u0161e strane ostanka na takvom poslu, i \u010dak ako je razumno ostati na takvom poslu, tada se moramo dodatno potruditi prona\u0107i kreativan ispu\u0161ni ventil van posla.<\/p>\n

Izvor <\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Kada ste zadnji put radili ne\u0161to kreativno? 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